Polysquasher manual

I also have the Marquis Compressor which might be more versatile maybe, but Crunchessor is already so versatile , but this one's so easy to dial in. Voxengo SPAN :. Span is an excellent plugin! The features are productive and intelligent; and the information is so useful in the workflow!

Especially, control-click to preview a frequency, and right-click to copy is right on. Viewing the pitch as well as frequency is great among others, and the density meter too. Plus the M-S mode is a great plus. All the rest is excellent! Keep it up! I was addicted and used to using a plugin from a company that no longer exists today. What a wonderful job! Congratulations to all your developers! Congratulations and best wishes! I try to avoid and have working at the same times, 2 Reason senses Audition and Vision.

It helps me to work faster and get back on tracks quicker. Voxengo Elephant :. Voxengo r8brain :. Quality software. The non-existing startup time made me smile. Some people still know how to write software that doesn't suck. Company Link: Voxengo. More choices in this product category from other manufacturers:. Looking for the manual? Add your email if you want replies to any question you post - You will receive an email if someone replies!

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I'm using MS operation for all of these aside from Soothe. Depending on what's active in the analog chain there's some natural and subtle absorption of harshess too via transformers and gain stages. For this reason I'll monitor through the analog path while adjusting the ITB preprocessing so I'm doing as little as possible.

The Silver Bullet and Michelangelo both have "vintage" switches which can help but are pretty severe and I always need some highs resotred after. I had my Michelangelo modified for this purpose, with a less extreme rolloff in vintage mode. My Studio. This one works a bit different from most:. The Weiss De-Ess plugin is really very good.

How good is it on a complete Mix in the mastering stage? Or more usable on a single track? Al Rogers. Waves has released a new plugin called Sibilance. I've been trying it out and so far I like it. Simple interface and non-destructive tonewise.

The manual recommends it for use on single tracks rather than a whole mix. It works well for me on vocals. Limiter No6 GE. Recently recommended voxengo to make a mastering deesser based on polysquasher, I hope he takes the advice. I had high hopes for the soothe plugin, when it was released, and used it a bit, but I found that lots of materials sound much better without it. It kind of robs something very important from the sound, even in very light amounts.

It creates something that sounds chewy and sloppy. Often, I search in the k and even higher area for some metallic stuff and remove it with very tight notches not in dynamic mode. It seems that this area is often reinforcing some problematic frequencies that are normally happening in k area.

Most of the times things that are recorded with some modern microphones have that unnatural, tooth splitting energy somewhere up there.

Then, I would try to fill things up in the low mid area. Once it is done, I would address the k stuff. I always try to avoid treating this area with sharp, tight notches, even though it is tempting to do so. I'm also recommending Sibilance from Waves.